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General Meeting Reports for 2013 | Return to Index |
December 2013 | Annual DIY Night |
System One:
Audio Aero La Fontaine Music Centre,
System Two:
Audio Aero Music Centre,
80w Stereo Power Amp with valve buffer,
3 way speaker system with 5 inch Mid and 12 inch Bass driver.
80w Stereo Power Amp with valve buffer,
2 way 'Bamboo' boxed speakers with SEAS aluminium Mid/Bass and SEAS 25mm fabric dome TW.
Web Ed
November 2013 | Rockian Trading with Osborn Speakers |
October 2013 | Mark Doehmann from Telos Audio |
Minus K Isolation Base. No lid, showing the spring damping technology.
Another view.
Sutherland Engineering - DUO Phono Pre Amp. Dual Mono Chassis.
Rumen Artarski from THRAX AUDIO, with his Maximinus DAC.
Web Ed
September 2013 | Hugh Dean Presents Aspen Amplifiers NAKSA 80 and NAKSA 100 |
OOur September meeting had the presence of the inimitable Hugh Dean.
With his usual authority he effortlessly spoke about his amplifiers and the
reasoning and technologies behind his unique designs. Once again he has a new
breed of amps that sound terrific. Hugh is doing something right.
Playlist from September GM
Artist – Album – Track No – Label
Nick Karayanis
For this month's general meeting, we returned to good old fashioned two channel audio, with a
presentation from England's most recognised names in hi- fi, Quad and Wharfedale.
The Australian importers AVRevolution, will be demonstrating two systems.
The first comprised of a complete family of Quad electronics and matching speakers.
The second, was Wharfedale's latest range of floorstanding speakers matched with a new name in hi-fi called Nu Force.
The Quad system comprises of a CDP Elite player with the 180w Elite integrated amp
powering the Quad 12L bookshelf speakers. These two-ways house a 165mm woofer made
from woven Kevlar with a conventional 25mm tweeter. The CDP Elite is more than just a
CD Player, it also features a digital pre-amp with a selection of digital coaxial and Toslink
optical inputs, fixed and variable to accommodate six extra digital sources.
System number two will feature the Wharfedale
Jade 5 floorstander, a three way speaker
comprising of a 25mm aluminium dome tweeter, a 75mm "alu-pulp" cone midrange driver
and two 165mm woofers. The bass drivers are made of "Acufiber", said to marry the
responsiveness of glass and carbon fibre materials with a self dampening woven matrix.
The speaker box is formed of a composite material that Wharfedale calls Crystalam.
"Aperiodic" cabinet loading, is another feature designed into the box. This comprises an
internal port that vents into a tuned slot, which is filled with a resistive porous foam. This
type of loading reduces the bass overhang common to conventionally ported floorstanders.
The NuForce IA-18 amplifier is a recent model that has just landed on the Australian
market this month. This unit incorporates components used in NuForces celebrated
Reference Series products, such as the same
circuitry used in the P-20 flagship pre-amplifier, and two NuForce V3 power amp modules. An Audiolab 8200 CD player will be
the source for this system. The unit is market
ed by the manufacturer as a DAC + CD with
its multiple digital inputs including a USB
connection that can accept 24-bit/96kHz High-resolution audio.
TRACKS PLAYED ON SYSTEM No 1
TRACKS PLAYED ON SYSTEM No 2
TRACKS PLAYED AFTER THE BREAK
Nick Karayanis
Ken Tripp
It is always a pleasure to be at a demo that is at the very least controversial.
A surround sound demo will always bring up the question.
Is surround sound for movies or does it have a place in music reproduction as well?
Charles presented this question last Wednesday evening with his Surround Master SM465 box of tricks and his, now well known electrostatics up front and as a bonus a second pair at the rear, kindly supplied by Wally.
Program Co-ordinator
August 2013
Audio Visual Revolution Presents Wharfedale, Quad and NuForce
Program Co-ordinator
Web Ed.
July 2013
Involve Audio - Surround Master - A night at the movies or Music maestro please?
Charles Van Dongen addressing the club.
At the outset it was clear that the question was very much in evidence, as the first couple of tracks had various cinema sound effects ( guns, cars, etc.) as well as music. Charles asked if any members listened to stereo in preference to surround. The answer was, most still do. This, I believe, to be because recording engineers still put you in the middle of the band or orchestra rather than the rears being for ambiance.
The refreshing discovery here wasn't that the system sounded lovely, although it did, but that the surround effect could be tailored to produce the effect the listener believes is right. The SM465 sells for $350.00 which is very afordable and appears to work very well, allowing you to be at the movies or in the concert hall. I, for one, was very impressed with the system as a whole but, in particular with the Whise HA1500 speakers. They were, far and away, the best electrostatics I have ever heard.
Charles is to be congratulated on a well executed idea and for his willingness to present it. And, of course, I cannot end without, once again, thanking Wally for supplying his speakers to complete the system.
Martin
June 2013 | AGM & Members Request Night |
Does AGM. Stand for "Annual General Meeting" or "A Great Meeting".
Well, both actually. The annual tussle to fill places on the committee and for
the conveners went very smoothly with almost all the positions filled. A well
organised meeting where the nominations were done properly beforehand and
not left to a scramble on the night. Just a few adjustments to the personnel and
the business was done.
Thankfully this left a lot more of the evening for listening to the members
choice of music. It is on these "members requests nights" that we get to hear a
truly mixed bag of favourites, not just female vocal. Presenters should take
note. We shall continue to encourage presenters to play an assortment of
musical styles, not just their likes or what they think will show their piece of
equipment off in the best light.
I heard quite a lot of music that I shall
investigate for future listening. Thanks to all the members who brought their
choices to play. And it is a sign of the times that we heard a couple of hi- res
downloads, Our future awaits. You can run from it, you can ignore it but
you certainly will not be able to escape it.
And finally a big thank you to Wally Roache for providing a wonderful
system for the night. I can tell you now Wally, many members were very
impressed with the ribbons. So thanks again.
But back to the business part of the evening. There follows a list of the
committee and convenors.
Your Committee.
President. Ron Newbound.
The Convenors.
Audio Action. David Duffin.
Martin
It has been a month of Sundays since a presentation at a GM. has sparked so
much discussion on the e-group. I also expect it has done the same in other parts
of our club. All comments were polite but
passionately put. Let's look further.
No one would dispute that the Genelecs were
a very fine product indeed and it is this quality
that matters here.
Most loud speakers on the market are greatly
compromised in order to sell them to as many
people as possible, quite reasonable. This
concept was not used for the Genelecs. Here
the designer new exactly which marked he
was after and has succeeded admirably. Their
sharp focus, accurate and detailed presentation
was something to behold. This appealed to
some and of course not to others. There is no
right or wrong sound everything is purely
subjective.
While I do not have a technical bent I was able
to follow Steven's talk on room acoustics as
he presented it in as near to layman's terms as
was possible and this I found most helpful.
Not that many of us would be allowed to
implement many of his suggestions, still the
knowledge is good.
The subsequent discussion on the e-group was terrific so let's hope there is more
where that came from.
Ah, my six o'clock glass of red is ready. Time to listen to some music. Cheers and bottoms up.
Martin
Web Ed.
In the time available Michail covered
loudspeaker fundamentals ranging
from room to how to approach
loudspeaker design and the tools
required. He commenced his presentation
with his role as loudspeaker designer
at Plessey Rola, where he gained
much of his experience in
loudspeaker design. Plessey Rola
manufactured tape recorders, wire,
magnets and loudspeaker
components in house, providing a
great foundation for his ongoing
career. He cited software which
designers use today not available
before computers.
He then elaborated on what Lorantz
manufacture today, and what has
changed since the Rola days. The big
changes have been, computer aided
design and computer based
measurement and DSP processing
tools. He also elaborated on the
importance of measurements to
achieve best results. He also detailed loudspeaker tests performed today which
high light loudspeaker limitations.
Experimental improvements have given way to computer based simulation and
optimisation.
Next the effect of the room on perceived sound was discussed and the need to
EQ the room for best stereo reproduction. He cited free measurement software at
Room EQ Wizard to achieve this end and suggested "Acoustical Measurement
Standards for Stereo listening Rooms" as a suitable goal.
Room EQ Wizard is available at www.hometheatershack.com/roomeq and
Acoustical Measurement Standards for Stereo listening Rooms is available at
www.hedbackdesignedacoustics.com
Next he discussed sources and
causes of distortion in loudspeakers
arising from the motor, suspension,
inductance and loudspeaker
diaphragm eigen modes. For those
interested in advancing their
knowledge he suggested visiting
KLIPPEL web site www.klippel.de/klippel.html
He presented finite element
modelling animation which clearly
displayed how high stress at
diaphragm eigen modes were the
cause of obtrusive distortion peaks
in the upper frequency range where
our hearing is most sensitive. He
also briefly discussed which cone
materials are best for a given
application.
He then presented a list of
modifications he had made to one
of his sub-woofer to significantly
reduce the distortion. This was
confirmed by measurements before and after modifications.
His talk was supported with 139 slides gathered from Plessey Rola days,
research work, 40 years of experience in design and manufacturing and
exhaustive test results made in his career.
Nick Karyanis
Mention the name Sonus Faber and the words "handcrafted sound" comes to mind.
A name that lies behind a passion for music and loudspeakers which are considered as "musical instruments", Sonus Faber draws its inspiration from the manufacturing criteria of the Lute makers art.
Craftsmanship and build quality closer to a fine musical instrument than a piece of hi fi.
This craftsmanship continues with a new line of speakers called Venere.
Initially unveiled at the Hong Kong Hi Fi Show in August of 2012, this new entry level model continues the classic Lute shaped cabinet.
We listened to the Venere 2.5, a two and a half way floorstanding speaker housing two 180mm drivers with a 29mm fabric dome tweeter.
With a tempered glass top and base, and a high gloss black or white finish to the body, give the speakers a more contemporary look.
The electronics partnering these speakers was Cambridge Audio's new 851C disc spinner and the matching 851A amplifier, from the company's prestigious Azur component line-up.
More DAC than CD Player, the 851C features a USB 2 input that can accept media files up to 24 bit/192 Khz and a selectable digital pre-amp via the remote control.
The matching 120wpc integrated amplifier, features Cambridge's proprietary Class XD technology.
The meeting continued with a second system comprising of Audio Research electronics and Sonus Faber Cremona M speakers.
Delivering 200wpc and 800 watts dynamically into 4 ohms, the new integrated amplifier from Audio Research employs a unique type of "solid state hybrid" design.
Combining a linear analogue power supply with a discrete analogue switching MOSFET output stage for a highly efficient power output, and low power consumption from the mains.
The DSi200 is the first product in the new "Definition Series" from Audio Research.
Continuing the Sonus Faber theme for the night, the Cremona M's are another floor standing model comprising of a 3 way vented box.
This Lute shaped design combines a sandwich construction using hand selected wood layers of solid maple, finished off with a medium gloss lacquer that enhances the texture and colour of the wood.
The three way comprises of a 150mm midrange, a 25mm ring radiator tweeter, and two 180mm Aluminium/Magnesium drivers take care of the bass.
With a number of new components to listen too, from two of the worlds Hi End audio companies, this was a night not to be missed.
Web Ed.
Another Buy, Swap and Sell night went well. Pizza and drinks were enjoyed by all.
Web Ed.
Vice President. Martin Bray.
Secretary. Vacant.
Assistant Secretary. David Bugbee.
Treasurer. Richard Struthers.
Program Co-ordinator. Nick Karayanis.
Editor. Chris Mogford.
Classical. Mark Houston.
Home Theatre. Len Lug.
Kaleidoscope. Paul Seymour.
Opera. David Orr.
Pop. Raymond Birzneiks.
May 2013
Studio Connections Australia presents Genelec 8260A
April 2013
Arthur Rappos and his Elektrafying Hi Fi
March 2013
Lorantz Audio A History of Loudspeaker Improvements, with Michail Barabasz
February 2013
Synergy Audio Visual
January 2013
Swap Meet